Meyer Sound Bluehorn System Paar

Patented digital signal processing algorithms provide full-bandwidth (25 Hz to 22 kHz) phase correction • Linear frequency response from 25 Hz to 22 kHz • Replicates the input signal precisely in every dimension: frequency, amplitude, and time relationships between frequencies • Consistent and accurate system results—no guess work, because the dedicated Bluehorn 816 processing unit includes all the active correction filters to drive the system. • Overall system latency of < 50 ms. Notably fast for the amount of processing needed for phase correction down to 25 Hz.
Versand: lagernd
Geschäft: kurzfristig verfügbar
statt 99.900,00 € Sonderangebot 94.990,00 € / Paar
Fachhandels-Beratungs-Hotline +
+43(0)1 6982317 +
Produktberatung per Mail +
Installations- und Lieferservice +
Hilfestellung bei Garantieabwicklung +
mehr als 16 Jahre Erfahrung +

A Breakthrough In Full-Bandwidth, Phase-Accurate Monitoring

When reproducing complex sounds, pattern relationships matter just as much as amplitude and frequency. Perfectly linear acoustical output requires phase re-alignment of the input signal. But thanks to the laws of physics, even the most accurate acoustic systems have introduced phase anomalies—until now.

Powerful, full-bandwidth monitoring with zero phase shift was once just a theoretical notion. But after six years of extensive research, we’re setting a new benchmark for accuracy in studio monitors: a system that marries acoustic precision and digital modeling to offer completely flat amplitude and phase response across the entire audible frequency spectrum. No tradeoffs, no compromises—just the sound you recorded, exactly as you recorded it.

Unveil a new level of nuance in your mix: The Bluehorn System perfectly preserves phase relationships, faithfully reproducing every timbral detail and three-dimensional ambiance. Response is neutral and transparent, at any output level.

Measurement traces reveal Bluehorn System’s flat frequency response and unprecedented phase linearity across the audible bandwidth

Advanced Digital Modeling, Precise Acoustic Design


Powerful digital processing is at the heart of The Bluehorn System: Proprietary phase-correcting algorithms model system behavior and restore original relationships, while introducing minimal latency.

Configured as a three-way system, The Bluehorn System incorporates the latest driver, processing, and amplifier technologies from Meyer Sound’s Cinema Series and LEO Family of line array loudspeakers and Galileo GALAXY processors.

The Bluehorn System is designed with acoustic transparency in mind: Advanced driver mechanics and alignment technology, along with precision tuning, minimize phase anomalies that can color your sound. It all adds up to unprecedented accuracy and detail, like you’ve never heard before.


Operating Frequency Range 20 Hz – 22 kHz
Frequency Response 22 Hz – 22 kHz ±4 dB
Phase Response 25 Hz – 22 kHz ±45°
Linear Peak SPL3 130 dB (M-noise), 127 dB (Pink noise), 129 dB (B-noise)
Horizontal Coverage 80°
Vertical Coverage 50°
Low Frequency One 18 in cone driver; nominal impedance: 4 Ω
Low Frequency One 12 in cone driver; nominal impedance: 2 Ω
High Frequency One 4 in diaphragm compression driver; nominal impedance: 12 Ω
Type Differential, electronically balanced
Connectors XLR 3-pin female input with male XLR loop output
Input Impedance 10 kΩ differential between pins 2 and 3
Wiring Pin 1: Chassis/earth through 1 kΩ, 1000 pF, 15 V clamp network to provide virtual ground lift at
Wiring audio frequencies
Wiring Pin 2: Signal +
Wiring Pin 3: Signal –
Wiring Case: Earth ground and chassis
Nominal Input Sensitivity 10 dBV (3.2 V rms) continuous is typically the onset of limiting for noise and music
Type Class D, Two-channel (Bluehorn); One-channel (Bluehorn Subwoofer)
Total Output Power 4 1300 W peak (Bluehorn); 900 W peak (Bluehorn Subwoofer)
THD, IM, TIM < 0.02%
Cooling Convection, with recessed heat sink
Connectors powerCON 20 input with loop output to loop between the Bluehorn and the Bluehorn Subwoofer
Voltage Selection Automatic, continuous from 90–265 V AC
Safety Rated Voltage Range 100–240 V AC, 50–60 Hz
Turn-on/off Points 90 V AC turn-on, no turn-off; internal fuse-protection above 265 V AC
Bluehorn Idle Current 0.23 A rms (115 V AC); 0.19 A rms (230 V AC); 0.24 A rms (100 V AC)
Bluehorn Subwoofer Idle Current 0.26 A rms (115 V AC); 0.16 A rms (230 V AC); 0.30 A rms (100 V AC)
Bluehorn Max Long-Term Continuous Current (>10 sec) 1.58 A rms (115 V AC); 0.83 A rms (230 V AC); 1.78 A rms (100 V AC)
Bluehorn Subwoofer Max Long-Term Continuous Current (>10 sec) 1.4 A rms (115 V AC); 0.7 A rms (230 V AC); 1.6 A rms (100 V AC)
Bluehorn Burst Current (<1 sec)5 3.1 A rms (115 V AC), 1.4 A rms (230 V AC), 3.6 A rms (100 V AC)
Bluehorn Subwoofer Burst Current (<1 sec)6 2.7 A rms (115 V AC), 1.1 A rms (230 V AC), 3.0 A rms (100 V AC)
Bluehorn Ultimate Short-Term Peak Current 12.0 A peak (115 V AC), 8.0 A peak (230 V AC), 12.4 A peak (100 V AC)
Bluehorn Subwoofer Ultimate Short-Term Peak Current 9.0 A peak (115 V AC), 6.0 A peak (230 V AC), 10.0 A peak (100 V AC)
Bluehorn/Bluehorn Subwoofer Inrush Current < 20.0 A peak
RMS NETWORK (OPTIONAL) Equipped with two-conductor twisted-pair network, reporting all operating parameters of amplifiers to system operator’s host computer.
Dimensions Bluehorn W: 19.00 in (482.6 mm) x H: 25.38 in (644.5 mm) x D: 14.95 in (379.6 mm)
Dimensions Bluehorn Subwoofer W: 20.65 in (524.5 mm) x H: 31.00 in (787.4 mm) x D: 19.85 in (504.2 mm)
Weight Total system: 162 lb (73.5 kg); Bluehorn: 74 lb (33.6 kg); Bluehorn Sub: 88 lb (39.9 kg)
Enclosures Premium multi-ply birch, slightly textured black finish with black cloth protective grille frame